Category Archives: Events

Information Age: evolution or revolution?

On Friday 24 October 2014, the Science Museum celebrated the launch of a new permanent gallery; Information Age. The gallery explores over 200 years of information and communication technologies and was officially opened by Her Majesty The Queen who marked the occasion by sending the first tweet by a reigning monarch. In the afternoon, the Museum’s IMAX auditorium continued the celebrations, bringing together a panel of some of the world’s leading thinkers and entrepreneurs to share their insights and predictions about the big events that have shaped the communication technology we are familiar with today, and look ahead to what the future may hold.

Director of External Affairs Roger Highfield introduces the panel at Information Age: evolution or revolution?

We’re repeatedly told that we are experiencing more rapid technological advances than ever before. But over the past two centuries, our predecessors witnessed transformational developments in communication technology that were arguably far more revolutionary, from the laying of the first telegraph cable that connected the UK and USA to the birth of radio and TV broadcasting.

What can we learn from their experiences? Is what we are going through truly an unparalleled revolution, or does our focus on the now distort our perspective on an ongoing evolution in our relationship to information?

Click here to listen to the whole discussion and decide for yourself…

Chaired by Tom Standage, Digital Editor of The Economist and author of The Victorian Internet and Writing on the Wall, the expert panel brought together to discuss this question featured:

  • Hermann Hauser, computing engineer and co-founder of venture capital firm Amadeus Capital Partners
  • Baroness Martha Lane Fox, co-founder of lastminute.com, Chancellor of the Open University, chair of Go ON and board member of Marks and Spencer
  • Mo Ibrahim, mobile communications entrepreneur and founder of Celtel, one of Africa’s leading telecommunications operators, and
  • Jim Gleick, best-selling author of Chaos and The Information

The opening of Information Age marks the start of the biggest period of development of the Museum since it was opened over a century ago. Over the next five years, about a third of the Museum will be transformed by exciting new galleries, including a brand new mathematics gallery designed by Stirling Prize-winning architect Zaha Hadid.

Information Age is now open, located on floor 2 of the Museum. A new book entitled Information Age, to which the event’s panel have all contributed, is also now on sale in the Museum shop and online.

Her Majesty The Queen sends her first tweet to unveil the Information Age

By Roger Highfield, Director of External Affairs

Her Majesty The Queen this morning opened the pioneering Information Age gallery at the Science Museum by sending her first tweet to the world, 76 years after The Queen’s first visit to the museum.

HM The Queen opens the Science Museum's Information Age gallery by sending her first tweet

HM The Queen opens the Science Museum’s Information Age gallery by sending her first tweet. Credit: Science Museum

The Queen and His Royal Highness The Duke of Edinburgh had earlier toured the landmark gallery, which explores the six networks that have transformed global communications, listening to personal recollections of people whose first experience of television was watching her Coronation in 1953.

Inviting Her Majesty to open the gallery, Science Museum Director Ian Blatchford remarked on how royalty had embraced communications technology from the day Queen Victoria took an interest in the invention of the telephone, which was demonstrated to her in January 1878 by Alexander Graham Bell at Osborne House, Isle of Wight.

“Your Majesty has followed in this tradition,” said Mr Blatchford while addressing around 600 guests including communications entrepreneurs, authors and experts, from Baroness Lane Fox, Hermann Hauser and Mo Ibrahim to Prof Steve Furber, James Gleick, Tom Standage and Sir Nigel Shadbolt.

“You made the first live Christmas broadcast in 1957,” he added, “and an event relished by historians took place on 26 March 1976, when you became the first monarch to send an email, during a visit to the Royal Signals and Radar Establishment. “

Then Mr Blatchford invited Her Majesty to join him to “send your first Tweet”.

The Queen removed a glove to send her pioneering tweet from the @BritishMonarchy Twitter account.

 

The Queen's first Tweet

The Queen’s first Tweet

This marked the first time that a reigning British monarch contributed one of the half billion or so tweets that are sent every day.

The Queen has a long relationship with the Science Museum and first visited in March 1938, as a princess, a few years after it launched a pioneering Children’s Gallery.

Today she explored Information Age: Six Networks That Changed Our World, the first museum gallery dedicated to the history of information technologies, containing more than 800 iconic objects and six state-of-the art interactive displays in story boxes connected by an elevated walkway.

The £16 million project saw collaborations with leading artists and thinkers, including Olivier award-winning video and projection designer Finn Ross, artists Matthew Robins and Rafael Lozano-Hemmer, broadcaster Bonnie Greer and developer of the world wide web, Sir Tim Berners-Lee.

From the dramatic story of the laying of the first transatlantic telegraph cable that connected Europe and North America  to the birth of the modern smartphone, it looks at how today’s  world was forged with six communication networks: the telegraph; the telephone, radio and television broadcasting; satellite communications; computer networks; and mobile communications.

Lead curator Dr Tilly Blyth showed The Queen and The Duke of Edinburgh around the exhibition, from the bright yellow call box from Cameroon to the BBC’s first radio transmitter from 1922 to the monumental 6-metre high aerial tuning inductor from Rugby Radio Station that lies at the heart of the gallery.

This strangely beautiful web of copper and wood was once part of the most powerful radio transmitter in the world and was donated to the Science Museum by BT.

Over 410,000 people follow the Science Museum on Twitter via @sciencemuseum.

We use twitter to share as many fascinating objects (some weird, others wonderful) and stories from our exhibitions and collections as possible.  In the past we have shared science jokes and organised a Q&A with an astronaut.

We’ve even taken our followers inside Charlie Brown, the Apollo 10 Command Module.

Our curators regularly take over the @sciencemuseum account, taking hundreds of thousands of followers on Twitter tours of their favourite objects. In the past, @rooneyvision has shared his story of how we made the modern world, with @ali_boyle selecting her favourite objects from our astronomy collection (you can read the #CosmosTour here).

The @ScienceMuseum account was also at the heart of the Great British Innovation vote which attracted more than 50,000 votes from the public for their favourite innovation.

We love reading tweets from the millions of you who visit each year, sharing stories of visits, getting engaged and even dancing under our rockets.

From astronauts to pop stars, we have had the pleasure of meeting and tweeting many famous faces. Astronaut Gene Cernan, the last man on the moon, joked with us about driving a NASA moon buggy, with Chris Hadfield sharing stories of life on board the International Space Station, and will.i.am joining us for a tour of the museum.

And it was a remarkable day when both Prof Stephen Hawking and Nobel prize-winner Prof Peter Higgs met in the Science Museum for our Collider exhibition opening.

This year a record breaking 450,000 young people visited the Science Museum on educational trips, or benefitted from its outreach programme, more than any other UK museum. Our Learning team (@SM_Learn) helps schools to plan their visits as well as sharing science demos and experiments that wow visitors every day.

Information Age has been made possible through the generous support of the Heritage Lottery Fund, BT (Lead Principal Sponsor), ARM (Principal Sponsor), Bloomberg Philanthropies and Google (Principal Funders).  Major Funders include the Garfield Weston Foundation, the Wolfson Foundation, the Bonita Trust and the Motorola Solutions Foundation. 

Additional support has been provided by Accenture (Connect Circle Sponsor) as well as the Institution of Engineering and Technology (IET), Cambridge Wireless (CW), the David and Claudia Harding Foundation and other individual donors.  The Science Museum would also like to thank the BBC for their assistance.

Zaha Hadid on Maths, Architecture and Women in Science

By Roger Highfield, Director of External Affairs.

When Zaha Hadid won the commission to design a new Mathematics gallery at the Science Museum, there was one question that I simply had to ask her: given she studied mathematics at university and the pervasive evidence that science is institutionally sexist, how much of a hurdle faces women today and how much of an inspiration would her appointment prove to be?


Her acknowledgement that, even for her, the gender gap remains an issue, and particularly in Britain, surprised me: “I’ve come across it a lot in my career here and I never felt it anywhere else to be honest,” she remarks. Her comments, made during a recent visit to the Science Museum, are particularly salient on Ada Lovelace Day (14 Oct), an international celebration of the achievements of women in science, technology, engineering and maths.

The Iraqi-British architect was born in 1950 and raised in one of Baghdad’s first Bauhaus-inspired houses. “In Iraq, maths was taught as a way of life,” she recalls. “We used to just do maths to resolve problems continuously, as if we were sketching.”

But when she came to boarding school in Britain in the early 1960s she found that she “was much more advanced in the sciences than many of the kids at the time, not because they were not smart. I think it was badly taught and it’s very important to teach sciences and maths in a way that makes it appealing.”

Before she went to boarding school, aged around 10, Dame Zaha vividly remembers a trip with her parents to the Science Museum. “It was for me at the time extremely fascinating to see instruments and understand about science. And, around the same time, I also went to art museums. I used to come every summer to London when I was in my teens.”

She went on to study mathematics at the American University of Beirut. The explosion of interest in construction and modernity of the 1960s encouraged her to study at the Architectural Association School of Architecture in London. Today, she is one of the most sought-after architects on the planet, the only female recipient of the prestigious Pritzker Architecture Prize, considered the Nobel Prize of the field.

From the Aquatics Centre she designed for the London Olympics to Rome’s curvilinear National Museum of the XXI Century Arts and China’s Guangzhou opera house, her concepts are futuristic and often voluptuous, with powerful, curving forms. Her work, she explains, has its roots in movement that is a century old, citing the work of Russian abstract artist Kazimir Malevich. The dire economic situation in the West in the seventies “fostered in us similar ambitions: we thought to apply radical new ideas to regenerate society.”

One would have thought that her global success as a ‘starchitect’ is a testament to how the gender gap is no longer a hurdle in Britain. However, like her late British-educated father, an economist and industrialist who helped to found the Iraqi National Democratic party, she found that she had to be dogged to succeed in her career. “I took a risk. “People were thinking I was crazy to do what I did even 30 years ago because it was very risky and that no-one’s going to give me a job. They were right.”

In the 1970s Dame Zaha met Peter Rice, an engineer, who encouraged her and she established her own London-based practice. However, she still struggled for recognition. Twenty years ago, the Millennium Commission refused to fund her winning “crystal necklace” design for the Cardiff Bay Opera House. Dame Zaha said at the time that she had been stigmatised on grounds of gender and race.

There is plenty of evidence that it remains a battle for women to pursue science and mathematics with the same ease enjoyed by men. According to the US National Science Foundation, women comprise only 21% of full science professors (just 5% of full engineering professors) even though they earn about half the doctorates in science and engineering in the US. They have to work harder to make the same impact.

One study, published last December by Cassidy Sugimoto of Indiana University Bloomington, and colleagues, evaluated 5,483,841 papers published between 2008–2012 and concluded that “in the most productive countries, all articles with women in dominant author positions receive fewer citations than those with men in the same positions”.

It is a similar picture for the UK and for architecture too. Last year Dame Zaha criticised the “misogyny” among UK architects, arguing that society is not equipped to help women back to work after childbirth. “You know we still suffer,” Dame Zaha tells me. “ it’s not very smooth. There’s been a problem always – the stereotype is that girls can’t do sciences.”

But, of course, they can. Over the years she has taught at many prestigious institutions, from the Harvard Graduate School of Design to the Hochschule für bildende Künste Hamburg and The University of Applied Arts, Vienna. “Some of my best students are women,” she remarks. “I think it’s very important to encourage them.”

She acknowledges that her struggle and resulting success plays an inspirational role. “I do notice now when I go out to give a talk somewhere there are many girls who come to me. They want to be reassured that they actually can break that barrier and also do it with confidence. That’s why education is very important as it gives you confidence to conquer the next step. That confidence allows you to take risks.”

At the launch of the museum’s new Mathematics gallery in September, Dame Zaha was accompanied by museum Director Ian Blatchford, David and Claudia Harding – who made an unprecedented £5 million donation to build the gallery through their foundation – Culture Secretary Sajid Javid and her business partner, architect Patrik Schumacher, who helps Dame Zaha lead her team of 300 people.

Science Museum Curator David Rooney explained how the centrepiece of the forthcoming gallery will be the Handley Page ‘Gugnunc’, a 1929 British experimental aircraft with a 12-metre wingspan that was designed to fly safely at slow speeds from short take-offs.

The aircraft’s aerodynamics proved influential at the very beginnings of civilian air travel. In the same way, the swirling flows of air around the aircraft in flight inspired Dame Zaha’s design and will allow mathematics to take flight in the museum.


Behind the Handley Page in her design lie three minimal surfaces (they enclose the smallest possible area that satisfy some constraints) that are based on the shapes of the vortices in the turbulence created behind the plane in flight. The equation defining these surfaces is governed by six different parameters and, by tweaking them, a menagerie of sensuous shapes emerges on screen in the offices of Zaha Hadid Architects. “Mathematics and geometry has an amazing influence particularly on our work,” she says. “It’s very exciting.”

Some of these surfaces will provide the backdrops to support display cases used throughout the galleries to provide an appropriate setting for a dazzling range of objects that will span 400 years of science and mathematics. It seems only appropriate to point out, on the day we celebrate the ‘first computer programmer‘, that the shapes were generated with Mathematica software.

The Mathematics gallery is the fourth commission this year as part of the redevelopment of the Science Museum. Wilkinson Eyre has been appointed to create £24 million Medical Galleries; London-based Coffey Architects is designing a new £1.8 million library and research centre in the museum’s Wellcome Wolfson Building; and Muf, a collective of artists, architects and urban designers, was selected to design a £4 million interactive gallery in the museum. Around one third of the building will change over the next few years, marking the biggest transformation of the museum since it was established more than a century ago.

How Mathematics Inspired the Writers of The Simpsons and Futurama

Pete Dickinson, Head of Comms, reflects on a global premiere and the mathematics hidden within the Simpsons and Futurama.

Leading lights of the Simpsons and Futurama, Al Jean and David X. Cohen, served up a sell-out event at the Science Museum that danced effortlessly like a Simpsons episode between scintillating story-telling, one-liners and hard-core mathematics.

QI creator John Lloyd, CEO of Innovate UK Iain Gray, and mathematics populariser Alex Bellos were among those lured to the museum for an evening of maths and mirth, but it was 12-year-old Toby Hawkins whose question precipitated the eveningís global premiere.

Toby wondered whether we could hope for a Simpsons and Futurama crossover episode if anyone should prove that P does not equal NP and thus solve a major unresolved problem in computer science. In response we were treated to the first ever airing of part of a ‘Simpsorama’ crossover show that will see Bender travelling back in time in an attempt to kill Bart so worldwide disaster can be averted.

Al Jean and David X. Cohen discussing maths and The Simpsons at the Science Museum. Credit: Science Museum

Al Jean and David X. Cohen discussing maths and The Simpsons at the Science Museum. Credit: Science Museum

The evening was expertly compered by Simon Singh, author of The Simpsons and their Mathematical Secrets. He invited Al Jean and David X. Cohen to explain how and why they have regularly embellished episodes of both series with references to degree-level maths such as Fermatís Last Theorem or the Taxicab number.

Al Jean, who worked on the first series and is now executive producer of The Simpsons, and studied maths at Harvard, credited serendipity; many of the writers had scientific backgrounds. He went on to suggest that mathematics and comedy writing demand the same kind of thinking and a similar, sometimes obsessive, quest for the perfect solution.

We heard how, in the early 90s, the writers faxed a mathematician working at NASA to ensure the accuracy of a line by store owner Apu Nahasapeemapetilon when he boasts ‘I can recite pi to forty thousand places. The last digit is 1.’

David X Cohen, creator of Futurama who happens to have a computer science degree from UC Berkeley, hinted at a more serious purpose. Lamenting the way entertainment goes out of its way to make maths seem boring, he said ‘part of what I think about when we do Futurama is let’s make it fun, let’s not make it scary’.

Earlier, Science Museum Deputy Director Jean Franczyk had provided the context for the evening with a reminder of the Science Museumís ambitious plans for a new mathematics gallery, made possible by the generosity of the David and Claudia Harding Foundation. By combining the curation of David Rooney, the creativity of Zaha Hadid Architects and the museum’s beautiful maths collection, Jean predicted a gallery that would delight all, including the ‘intrepid and maths-loving Lisa Simpson’.

The event has inspired a wide range of media interest, on the importance of Lisa as a mathematical role model, the links between mathematics and comedy, along with mentions on Radio 4′s Loose Ends and Radio 1′s Nick Grimshaw Show.

All clips from The Simpsons and Futurama were kindly provided by Twentieth Century Fox Television.

Drayson Racing Car

Formula E: The Future of Racing

Pippa Hough, Assistant Content Developer in our Contemporary Science team, explores the new Formula E racing series.

Last month, we invited engineers from the Power Electronics Group to the Science Museum to share their latest research with our visitors. They are working on wireless charging systems to power up electric car batteries, and with them came the Drayson Racer, the fastest lightweight electric car in the world. This beautiful, green piece of precision engineering is fast; it broke records at 205mph and can go 0 to 60 in 3 seconds.

This week super speedy cars, much like the Drayson racer, will take part in Formula E; the first ever fully electric racing series, starting off in Beijing. The cars in Formula E aren’t quite as fast as the one we had on display, but with top speeds of 140mph it will definitely be entertaining to watch.

Drayson Racer, the fasted lightweight electric car in the world. Credit: Science Museum

Drayson Racer, the fasted lightweight electric car in the world. Credit: Science Museum

There are a few aspects of the Formula E that make it, in my opinion, the best type of racing there is:

Car Swapping

One of the major issues of electric cars is battery life. The racing cars used in Formula E can’t be charged quick enough at the pit stops so the drivers swap to a fully charged car. Given it’s a race the drivers need to hop out and into the other car within a minute. I think it provides an bonus ‘obstacle course’ like challenge that petrol racing really lacks.

Exotic Locations

Yes Formula 1 has exotic location, but Formula E has raised the game. The races will be in the heart of some of the most stunning capital cities in the world. Starting in the Olympic park in Beijing the championship will travel round to 10 cities including Berlin, Buenos Aires, Miami, and finishing up in central London in June 2015.

Futuristic Sounding

Electric cars engines are virtually silent. There’ll be no need for ear plugs while watching and given the city centre locations the races won’t be bothering the neighbours as much as petrol racing might. The sound Formula E cars make when racing has been described as anything from eerie to futuristic. They’re so quiet the engineers have to be warned with an air horn before the car come into the pit stops so they can get out of the way in time.

Fanboost

There’s virtually no interaction with the drivers for fans of racing, especially compared to other sports. The drivers can’t hear you cheering, not until they’re no the podium and by that time your encouragements don’t make any difference. Not so in Formula E, you can vote for your favourite driver before the race. The three most popular driver’s get a ‘power boost’ for their cars in the last leg of race.

Formula E will drive innovation in electric cars that’ll quickly trickle down to their domestic counterparts. In the not too distant future the wireless charging system the Power Electronics Group showed our visitors could be in parking spots all over the country ready to charge your electric car.

You can find out more about Formula E by watching the video below.

Longitude Lounge at the Science Museum

By Roger Highfield, Director of External Affairs at the Science Museum and member of the Longitude Committee.

In a few days, the subject of the world’s greatest challenge prize – the £10 million Longitude Prize 2014 – will be unveiled by the BBC after an unprecedented public vote.

However, it became clear at a meeting held in the museum this week that the motivation to reincarnate the Longitude Prize on its 300th anniversary is not just a matter of money, though it is certainly newsworthy, nor is it simply the glory of being the first, or best, or most innovative.

As Jimmy Wales, Wikipedia founder put it, it is also because “we want a culture where kids aspire to be great scientists and get the societal recognition.”

And he hoped the prize, launched last year by the Prime Minister, would motivate those who lie outside the traditional spheres of well-funded grand institutions and specialised scholars and ‘tap into all the other crazy people out there.’

Longitude Lounge at the Science Museum. Credit: Longitude Prize 2014

Longitude Lounge at the Science Museum. Credit: Longitude Prize 2014

Wales was addressing the Longitude Lounge, organised at the museum by Nesta, the UK’s innovation foundation who are developing and running the Prize, with support from the Technology Strategy Board. The aim is to ‘push innovation on the boundaries of the possible and impossible,’ Geoff Mulgan, Nesta Chief Executive, told leading innovators who had gathered at the museum.

The new prize is open to anyone, anywhere, he said. However, in a departure from the original, it is also down to the public to decide which of six challenges to tackle around low carbon flight, food and water security, and paralysis, antibiotic resistance and dementia (you can vote here).

The prize has been promoted on the BBC. Amazon is emailing its UK customers, estimated to be many millions, to encourage them to take part. And around 300 schools have registered to take part in the Longitude Prize schools programme.

How will the public vote? Wales said that the six challenges all have ‘different levels of public appeal and prizeability’ but, on balance, he backed the paralysis challenge, not least because it could benefit from a wide range of existing computer and machine assisted technologies.

Also speaking was Naveen Jain, entrepreneur and founder of Moon Express, who said he felt the public would back the water challenge ‘but it if is audacious, it has to be dementia.’

The third speaker, designer, artist and writer Daisy Ginsberg, picked the antibiotics and food challenges, though she felt that food was perhaps the more exciting. ‘We should put our money where our mouth is.’

Lord Rees, who chairs the Longitude Committee, said that once the public had voted, an expert group would formulate the rules for the prize (‘that is going to be the difficult part’) but he added that he hoped the remaining areas would find commercial sponsors.

He said that it was inspirational to have the meeting in the Science Museum, ‘the greatest shrine to science, technology and innovation.’

Lord Rees added that he hoped that he would not be as curmudgeonly as his Longitude predecessor, Reverend Dr Nevil Maskelyne who was Astronomer Royal from 1765 to 1811 and sat on the first Board of Longitude.

Click here to vote for the Longitude Prize 2014. Voting closes on 25 June 2014. For more on the history of the Longitude Prize click here

Copenhagen: at the nexus of drama, science and history

“History is what you remember as having happened, not what actually happened.” It was this thought, shared by Michael Frayn in a recent discussion with the Director of the Science Museum, that that lies at the heart of Copenhagen, the most famous work of the playwright and novelist.

Michael Frayn has a long-held interest in philosophy and the sciences, notably in his book The Human Touch: Our Part in the Creation of the Universe. However, he is best known for his Tony-award winning play, which was staged at the National Theatre in London and later on Broadway in New York.

Copenhagen is an enduring example of how the history of science can inform dramatic work, and vividly demonstrates the power of drama to explore history, bringing scholarly discussions to the attention of a wide audience.

Ian Blatchford, Director of the Science Museum, in conversation with Michael Frayn

Ian Blatchford, Director of the Science Museum (right), in conversation with playwright Michael Frayn

The play examines the uncertainties surrounding the 1941 meeting between two Nobel prize winning physicists in German-occupied Copenhagen at the height of World War II.

Physicist Werner Heisenberg, head of the German nuclear energy project, and his Danish counterpart Niels Bohr, who later worked on the Manhattan Project, discussed the possibility of building an atomic bomb.

There was no accurate record of what was said at the meeting, and there are conflicting recollections made years later in unsent letters and transcripts from Heisenberg’s internment shortly after the war at Farm Hall, a bugged house near Cambridge. As a consequence, Frayn’s dramatisation of the meeting has itself become part of the historical record.

Those listening to Michael Frayn in the audience, included his wife, the biographer Claire Tomalin, Tony award-winning director of Copenhagen, Michael Blakemore, and Niels Bohr’s great grand-daughter, Esme Dixon. Prof Jon Butterworth of University College London, science biographer Graham Farmelo, Science Museum Trustee Howard Covington, Jean M Franczyk, Director of the Museum of Science & Industry and Andrew Nahum, Principal Curator of Technology and Engineering, were also present for the fascinating discussion.

You can watch the full conversation between Michael Frayn and the Science Museum Group’s Director, Ian Blatchford, here.

Longitude Prize 2014

Lord Rees, Astronomer Royal and Chair of the Longitude Prize 2014 Committee, blogs on the launch of the Longitude Prize 2014.

The prowess of the nation’s historic achievements in science and technology is displayed for all to see in the Science Museum – a cathedral to the history of science where visitors can share in the celebration. The Museum is unique in its ability to allow us to reflect on our past achievements, while also inspiring future generations to keep pushing forward the frontiers of science and technology.

I’m pleased to be involved in a new project that I also hope will inspire the next generation of British scientists. Developed and run by Nesta, with the Technology Strategy Board as a funding partner and launched this week on Horizon (Thursday 9pm, BBC2), the Longitude Prize 2014 will give innovators an incentive to grapple with a global problem and to produce a solution that will benefit humankind. Anyone who can find the solution will be rewarded with a multi-million pound prize.

The Longitude Prize 2014 is being launched on the 300th anniversary of the Longitude Act where the British government offered £20,000 to find a way for sailors to determine their Longitude at sea.

At that time seafaring vessels were vital to the booming economy of Britain, and to prevent massive loss of life from shipwrecks was a government priority. Many intriguing innovations were developed to ‘discover’ longitude. Eventually, the fund was awarded to John Harrison, for his Marine Chronometer.

John Harrison with his marine chronometer, c 1767. Credit: Science Museum / SSPL

John Harrison with his marine chronometer, c 1767. Credit: Science Museum / SSPL

Today, we live in a period of accelerated change as modern technology revolutionises every aspect of our daily lives:  communications, travel and health. There are many challenges that we face both nationally and globally.

The new Longitude Prize gives the chance for everyone to express a view on which area deserves top priority and offers the greatest scope. We’ve identified six challenges for public consideration. Through a text and online vote, anyone can influence which of these six challenges will become the focus of the Longitude Prize 2014.

The Longitude Prize 2014 Challenges:

Water
Water is a finite resource and we must seek to find ways of producing more fresh water. Some 98% of the Earth’s water is too salty for drinking or agriculture and as water requirements grow and as our reserves shrink, many are turning to desalination. However the current desalination technology isn’t optimal for small-scale use.

Antibiotics
Antibiotics have changed the face of healthcare for the better; they on average add 20 years to over lives. 80 years on from the discovery of penicillin, we are still unable to distinguish bacterial from viral infections, or the type of bacteria in the clinic, which has caused the overuse of antibiotics and the evolution of multidrug-resistant strains of bacteria.

Dementia
An ageing population means more people are developing dementia and unfortunately there is currently no existing cure. This means there is a need to find ways to support a person’s dignity, physical and emotional wellbeing and extend their ability to live independently.

Paralysis
Paralysis can emerge from a number of different injuries, conditions and disorders and the effects can be devastating. Every day can be a challenge when mobility, bowel control, sexual function and respiration are lost or impaired. We need to find a way to vastly increase the freedom of movement for people with paralysis.

Food
The world’s population is growing, getting richer and moving to cities. Current estimates suggest that by 2050 there will be about 9 billion people on the planet; moreover our tastes will have turned to more resource-hungry foods such as meat and milk. In the face of limited resources and climate change, we must learn how to feed the world with less.

Flight
The rapid growth of carbon emissions caused by air travel needs to be addressed to help tackle climate change. The potential of zero-carbon flight has been demonstrated but it has had little impact on the carbon footprint of the aviation industry, which still relies exclusively on fossil fuels. We need to bring novel technologies into the mainstream to stimulate a significant change.

The Science Museum opens the world of science and technology to everyone. I hope that the Longitude Prize 2014 will stimulate wide interest, as well as encouraging inventors and innovators.

Please watch Horizon and then cast your vote to decide which of these challenges you would like to win the Longitude Prize 2014.

Visitors to the Science Museum Lates on 28 May can discover more about the Longitude Prize 2014, with further information available at longitudeprize.org

Glittering Director’s Dinner celebrates an exceptional year for the Science Museum

By Pete Dickinson, Head of Communication, Science Museum

More than 350 of the Science Museum’s most ardent supporters last night celebrated what Director Ian Blatchford described as an “exceptional year” for the museum, and the contribution of Chairman of the Board of Trustees Douglas Gurr.

Ian Blatchford welcomes guests to the 2014 Science Museum Director's Annual Dinner

Ian Blatchford welcomes guests to the 2014 Science Museum Director’s Annual Dinner © Tim Anderson

The event was also distinguished by a speech given by the Director of the world’s most prestigious institute of theoretical research.

Usually the man to hand out the honours at the Annual Director’s Dinner, Dr Gurr was last night on the receiving end as he was named a Science Museum Fellow in recognition of the great impact he’s had in a decade as a trustee and four years as Chairman. Trustee Howard Covington praised Dr Gurr’s “enthusiasm energy and sheer hard work” as he announced the accolade to guests that included the new Culture Secretary, Sajid Javid MP, Betty Jackson, Deborah Bull and Charles Simonyi.

The Right Hon Sajid Javid MP and Dr Douglas Gurr attend the 2014 Science Museum Director's Annual Dinner © Tim Anderson

The Right Hon Sajid Javid MP and Dr Douglas Gurr attend the 2014 Science Museum Director’s Annual Dinner © Tim Anderson

In his speech, Director Ian Blatchford remarked on how the huge success of our Collider exhibition shows what can be achieved by “dumbing up”. He also gave a glimpse of forthcoming highlights, notably the Information Age gallery and Cosmonauts exhibition and drew attention to the museum’s leading role in inspiring the next generation of scientists and engineers, most recently as part of the launch of the Your Life campaign.

Professor Jim Al-Khalili attends the 2014 Science Museum Director's Annual Dinner © Tim Anderson

Professor Jim Al-Khalili attends the 2014 Science Museum Director’s Annual Dinner © Tim Anderson

A wide range of scientists and academic luminaries were present, including Sir Ralph Kohn, Lord Rees, Professor Jim Al-Khalili, Helen Czerski and Professor Marcus du Sautoy and leading journalists including John Mulholland of the Observer, Sumit Paul-Choudhury of New Scientist, Pallab Ghosh of the BBC, Louise Jury of the Evening Standard and Geoffrey Carr of the Economist. There were also politicians, such as Shadow Science spokesman Liam Byrne and the Chairman of the Commons Science and Technology Committee, Andrew Miller.

Michael Wilson OBE, The Right Hon Lord Rees of Ludlow, Lady Elise Becket Smith, Sir Martin Smith KBE, Veronika Covington and Howard Covington attend the 2014 Science Museum Director's Annual Dinner © Tim Anderson

Michael Wilson OBE, The Right Hon Lord Rees of Ludlow, Lady Elise Becket Smith, Sir Martin Smith KBE, Veronika Covington and Howard Covington attend the 2014 Science Museum Director’s Annual Dinner © Tim Anderson

The guests were treated to a speech, including a non-popping balloon experiment, by Robbert Dijkgraaf, Director and Leon Levy Professor at the Institute for Advanced Study in Princeton, who characterised the key to science – and life – as “guessing what is at the other side of the hill”. As an example of both the challenges and wonder of this game he pointed to the time between the recent discovery of the Higgs boson, celebrated in our Collider exhibition, and the papers by Peter Higgs and others that had first postulated its existence. Or as Professor Dijkraaf put it, “the five decades before this idea, crazy enough to be true, became reality”.

Professor Dr Robbert Dijkgraaf delivers a speech at the 2014 Science Museum Director's Annual Dinner © Tim Anderson

Professor Dr Robbert Dijkgraaf delivers a speech at the 2014 Science Museum Director’s Annual Dinner © Tim Anderson

Professor Dijkgraaf spoke of scientists’ duty engage the public by sharing their “stories and fascination, latest insights and discoveries” adding that he couldn’t think of a more appropriate location to do so than the museum, since “the universe cannot wish for a more perceptive eye than the Science Museum”. A talented artist, his own perceptive eye picked out Crick and Watson’s molecular model of the Double Helix as a particular favourite among the objects in the Making the Modern World gallery that provided a regal setting for a grand evening.

The Making the Modern World gallery hosts the 2014 Science Museum Director's Annual Dinner © Tim Anderson

The Making the Modern World gallery hosts the 2014 Science Museum Director’s Annual Dinner © Tim Anderson

The night was brought to a fitting close by Dr Gurr reflecting one some of the highlights of the past four years at the Science Museum Group, from the Codebreaker exhibition and launch of  Media Space to the Museum of Science and Industry joining the Group, the reunion of Mallard with its surviving sister locomotives and the record numbers of visitors who came to the Science Museum in the past 12 months, exceeding 3.3 million.

Chancellor launches gender agenda at Science Museum

By Will Stanley and Roger Highfield

A major government campaign was launched today at the Science Museum to boost the numbers of young people —especially women — studying science, technology, engineering and mathematics (STEM) subjects.

Announced by George Osborne MP, the Chancellor of the Exchequer, the Your Life campaign has the ambitious aim of increasing the number of students studying STEM subjects by 50% over the next three years.

Chancellor George Osborne at the launch of Your Life.

Chancellor George Osborne at the launch of Your Life. Credit: Science Museum

There is plenty of evidence that women and minorities face an uphill struggle in UK science. As one sign of the prevailing concern, 600 people joined us this morning for the launch of Your Life, which includes a three year exhibition at the Science Museum.

Fewer than 20% of 16-19 year olds take A-Level Maths and half of mixed state schools have no girls study A-Level Physics in 2011. ‘Only two per cent of girls are doing physics A level. That is not good enough. That is something we have got to change,’ said the Chancellor.

Surrounded by some of the most important objects in the history of science, in the museum’s Making the Modern World gallery, the Chancellor spoke about the need to inspire the next generation.

Guests for the Your Life Campaign launch in the Science Museum. Credit: Science Museum

Guests for the Your Life Campaign launch in the Science Museum. Credit: Science Museum

He told the audience that ‘all my life’ he had been visiting the Science Museum. ‘I bring my children to this museum and when you see all the incredible exhibits here, the steam engines, aircraft, early electricity generation and spacecraft, it is easy to think this happened in Britain’s past….that is not true.

One of the key things we are trying to challenge in this campaign is the idea that science engineering and design are all part of Britain’s great industrial past, not our future’

As one example of how Britain is contributing to the future, he singled out the museum’s Collider exhibition, which celebrates the achievements of a vast army of scientists at the Large Hadron Collider in finding the Higgs particle, due to open at the Museum of Science and Industry in Manchester later this month.

To help meet this challenge of attracting more students to careers in STEM, the Science Museum’s director, Ian Blatchford, announced a major three-year exhibition, backed by leading companies and the Royal Academy of Engineering. Watch this space for more news over the coming months.

Mr Blatchford pointed out how of the 3.4 million visitors to the Science Museum, half are women, and that the museum plays a key role in inspiring people to study STEM, for instance with its festivals celebrating the role of women in fields such as Formula 1, energy, space and aeronautics.

Education Minister Liz Truss MP praised the ‘fantastic turnout’ at the museum echoed the Chancellor’s words, citing the common Chinese saying “science and maths can get us everywhere.”

Too many teenagers, especially girls, don’t realise this, she added, saying she wants to ‘eradicate science deserts….if we get this right, the opportunities will be huge.’

The Museum  is one of over 170 businesses, universities, schools and organisations supporting the Your Life campaign.

Organisations such as Google, Arup, BP, L’Oreal, Microsoft, Airbus, BSkyB and the Royal Academy of Engineering have also pledged to highlight the opportunities open to those studying STEM subjects, with the commitment to create over 2,000 new STEM jobs.

Edwina Dunn, co-founder of Dunnhumby, Eben Upton, founder of Raspberry Pi and Roma Agrawal, a structural Engineer who worked on the Shard, are all advocates for the Your Life campaign, which was trending on Twitter this morning.

Dunn, who co-created the Tesco Clubcard, and her independent board of eight entrepreneurs and advocates hope to transform the way young people think about maths and physics and the careers to which they lead.

The Chancellor was also joined by David Willetts MP, Minister of State for Universities and Science, Matthew Hancock MP and Financial Secretary to the Treasury and Minister for Women, Nicky Morgan MP.  Support was voiced by the Prime Minister and Energy and Climate Change Minister Baroness Verma who said: “My personal commitment is to ensure that 30% of energy company executive board members are female by 2030.