Tag Archives: Media Space

Make Life Worth Living – Nick Hedges’ Photographs for Shelter, 1968-72

In this post Hedy van Erp, co-curator of the new Media Space exhibition Make Life Worth Living, looks at the background of the exhibition and the significance of the photographs on display.

Nick Hedges was commissioned by housing charity Shelter to document the poor conditions suffered by many around 1970. He travelled around the UK for four years and photographed people in slum properties in London, Birmingham, Liverpool, Sheffield, Glasgow and other major cities. A selection of these images – 100 out of the 1000 vintage prints held by the National Media Museum – can now be seen in the Virgin Media Studio at Media Space.

Children playing at 'Weddings', The Gorbals, Glasgow, 1970 © Nick Hedges  National Media Museum, Bradford

Children playing at ‘Weddings’, The Gorbals, Glasgow, 1970 © Nick Hedges National Media Museum, Bradford

Detached from the original Shelter context and combined with many images which have never been seen before, Make Life Worth Living does not just show the misery in housing around 1970, but is in fact a cinematic narrative of Hedges criss-crossing the UK from 1968 to 1972. The selection is reminiscent of Robert Frank‘s groundbreaking book The Americans. Like Frank, Hedges at the time was a true ‘noir’ photographer.

It has been said that Nick Hedges’ work for Shelter is strongly related to the American tradition of social documentary established by photographers like Lewis Hine and Paul Strand. Moreover, an analogy can be found in the work of Walker Evans, when he was hired by the Farm Security Administration to document the poor conditions of the farmers in pre-Second World War America.

“Make Life Worth Living”, terrace of back-to-back houses, Leeds, West Yorkshire, July 1970 © Nick Hedges / National Media Museum, Bradford

“Make Life Worth Living”, terrace of back-to-back houses, Leeds, West Yorkshire, July 1970 © Nick Hedges / National Media Museum, Bradford

Hedges also continued the rich tradition of socially committed photography in Britain. In fact, few photographers have captured better than Hedges what is both so upsetting and captivating in the look of Britain around 1970. Yet this is more than the aesthetics of poverty. Hedges’ Britain is at times a gritty place full of shadows, where you get the feeling things may not end well, but you still can’t stop looking.

Kitchen of slum house, Birmingham Duddleston, August 1970 © Nick Hedges / National Media Museum, Bradford

Kitchen of slum house, Birmingham Duddleston, August 1970 © Nick Hedges / National Media Museum, Bradford

The images taken outside the derelict houses – street scenes, city and rural landscapes – have a casual, almost drive-by feel. But you quickly see how carefully Hedges chose the images he shot over four years. Signs, interiors, children and animals keep cropping up, echoing from image to image. These images possess an energy and a visual harshness that contradict what may at first glance be mistaken for objective photojournalism.

It’s not only permissible, but also rewarding to take pleasure in Hedges’ images; the way light falls on a kitchen floor, the terraced houses running down to a factory, the pile of shoes in the window of a second hand shoe shop, or the vacant stare of a mother holding her baby. When life is hard, which it often is in these photographs, we have to look hard, but when we do, Hedges shows us beauty in many places.

A playground by the shipyards. Govan, Glasgow, August 1970 © Nick Hedges / National Media Museum, Bradford

A playground by the shipyards. Govan, Glasgow, August 1970 © Nick Hedges / National Media Museum, Bradford

Apart from showing beauty, disconnection and decay, Hedges’ poignant work offers us an important part of Europe’s past and culture. 40 years later, his Shelter archive is an incredibly strong body of work with which Hedges created history with his camera, history that happened in the form of scenes that can now become symbolic archetypes embedded in a national consciousness. Nick Hedges shows us life worth seeing – the words ‘worth seeing’ in fact being a gross understatement.

Make Life Worth Living: Nick Hedges’ Photographs for Shelter, 1968-72 runs in the Virgin Media Studio at Media Space until 18 January 2015. Entry to the exhibition is free.

Media Space unveiled to film, theatre and TV celebrities

Blog post by Roger Highfield, Director of External Affairs

The museum’s plans to create a £4 million Media Space - a showcase for photography, visual media, technology and science - were outlined a few days ago to leading figures in drama, film and the arts, from Jenny Agutter and Imogen Stubbs to Terry Gilliam and Ben Okri.

Call the midwife actress with Ian Blatchford and Roger Highfield.

Call the midwife actress, Jenny Agutter OBE, with Science Museum Director Ian Blatchford (left) and Director of External Affairs, Roger Highfield.

Kathy Lette, Eammon Holmes and Michael G Wilson

Australian author Kathy Lette, Presenter Eamonn Holmes and Film Producer and Chairman of the Science Museum Foundation, Michael G WIlson.

Ian Blatchford, director of the Science Museum Group, give an overview of how the new venture will open on the second floor of the museum this September to display some of the finest collections on the planet while speaking at a lunch organised by Chris Hastings of the Mail on Sunday, also attended by Ed Vaizey, Minister for Culture, Communications and Creative Industries.

Ian Blatchford's speech.

Director of Science Museum Ian Blatchford welcoming guests to the lunch.

Media Space will draw on the National Photography Collection held by the National Media Museum, Bradford. The first exhibition will be Only in England: Photographs by Tony Ray-Jones and Martin Parr,  and the inaugural installation in the Virgin Media Studio will be by digital artist studio collaborators Universal Everything, supported by Hyundai Motor UK.

Michael G Wilson

Chairman of the Science Museum Foundation and executive producer of the James Bond movies, Michael G WIlson, addresses Dame Diana Rigg and guests at the Sixth Arts Media Lunch.

Also addressing the lunch was Michael Wilson, executive producer of the James Bond films, who has been one of the most passionate supporters of Media Space over the years through his interest in photography, which dates back to the 1970s.

Between 2004 and 2012, Wilson was a trustee of the Science Museum and it was during this time he conceived a plan to develop a 1800 m² space in the Museum to display photographs, a venture which has now grown to include new media.

Today, Michael Wilson is a member of the museum’s Foundation , which “ensures philanthropic leadership”, encouraging donors to give their support to  the museum’s development.

Other guests included Lord Bragg, Haydn Gwynne, Lesley Manville, Eamonn Holmes,  Prof Steve Jones, Duncan Kenworthy;  Kathy Lette, Arlene Phillips and Brigitte Hjort Sorensen.

Also present was Ali Boyle, Project Leader on Collider, a new exhibition on the Large Hadron Collider in Geneva. Opening in November 2013, Collider is being created with the help of Nissen Richards Studio, playwright Michael Wynne and video artist Finn Ross.

After lunch, many of the guests went on a tour of the museum’s award-winning Turing exhibition, given by curator David Rooney.

To view more photos from the sixth Arts Media Lunch at the Science Museum visit the Science Museum’s flickr gallery.

Babbage's Difference Engine No 2, 1847-1849 drawings

Happy New Year

We’re welcoming in the New Year with a look at just a few of the exciting things happening here at the Museum in 2013.

Zombie hordes will invade the Museum in late January as we explore the science of consciousness and debate the ethical implications of a Zombie attack. Running during Lates and over a weekend, ZombieLab will feature live games, performances and talks from leading consciousness researchers across the UK.

Babbage's Difference Engine No 2, 1847-1849 drawings

Babbage’s Difference Engine No 2, 1847-1849 drawings

British philosopher and mathematician Charles Babbage, famous for his designs of automatic calculating machines, will be the focus of a new display this spring, as the Museum showcases the newly digitised Babbage archive and its collection of technical plans, drawings, scribbling books and letters.

In the summer, we’ll open Media Space, a brand new 1800 m² venue with two exhibition spaces and a café bar. A collaboration with the National Media Museum, Media Space will showcase some of the 3.2 million items from the National Photography Collection in a series of temporary exhibitions.

Media Space

Before work began on Media Space. Image © Kate Elliott

Photographers, artists and the creative industries will use our collections to explore visual media, technology and science through the wider programme of exhibitions and events at Media Space.

Finally, we’ll end the year with an exploration of one of the great scientific and engineering endeavours of our time: the Large Hadron Collider at CERN in Geneva.

Opening in autumn 2013, this new exhibition will give visitors a close-up look at remarkable examples of CERN engineering, including the vast dipole magnets. We’re working with CERN scientists and theatrical experts to produce a truly immersive experience which transports visitors into the heart of the LHC.

A Higgs boson is produced in the ATLAS detector

A Higgs boson is produced in the ATLAS detector at CERN

Also on display in the exhibition will be historic objects from our collections, including the apparatus used by JJ Thomson  in his electron discovery experiments and the accelerator Cockcroft and Walton used to split the atom.

So whether it’s Zombies, Media Space or the Large Hadron Collider that interests you, there’s something for everyone in the Museum this year.