The second phase of Joshua Sofaer’s The Rubbish Collection art installation has involved tracing the journeys of the Science Museum’s rubbish, to find out where it goes, and how it is processed. This has enabled us to work out what materials to bring back for display, and in what quantities, to represent 30 days’ worth of Science Museum waste. Rubbish leaves the museum via a variety of different companies but the vast majority is taken by Grundon Waste Management. It […]
Phase 1 – Mark Champkins, Science Museum Inventor-in-Residence Tuesday 15 July was the last day of sorting through Museum waste for The Rubbish Collection project, and my last chance to put in a shift filtering through discarded drinks bottles and leftover lunches. The project is fascinating. It aims to examine what constitutes the waste that passes through the Museum, where it would normally go, and what might be usefully recycled. The exhibition is split into two parts. The first involves […]
In the next of our series of posts linked to The Rubbish Collection, Sarah Harvey, Project Curator, talks to Neil Grundon, Deputy Chairman of Grundon Waste Management. Grundon is the Science Museum’s main waste contractor, handling all our general and recyclable waste – approximately 30 tonnes per month in total! The Museum’s waste either goes to their Colnbrook Materials Recovery Facility and transfer station, or if non-recyclable, to the Lakeside Energy from Waste plant. Lakeside produces around 37 Megawatts of electricity each […]
In this week’s blog from The Rubbish Collection, Corrinne Burns, Content Developer at our Antenna Gallery gets a volunteer’s view on the exhibition. ‘Do people just get naked in the Science Museum?’ Katyanna Quach asks me, with a suspicious look in her eyes. Before I have time to give that mental image the thorough probing that it deserves, I’m given a bit of context. “We’ve found a bra, some shoes…” ‘And an entire suit. And money. And a television,’ adds […]
This summer the Science Museum is doing something crazy. It is allowing members of the public to rummage through its bins, writes artist Joshua Sofaer.